Dancing for peace in Uganda

Palabek refugee settlement in Uganda used to be a place of frequent conflicts – until a youth group used a traditional dance to build peace.

11 Jul 2024
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Acholi Kids performing during the World Peace Day 2023 celebrations in Lamwo. Photo: LWF/ Victor Wahome

Acholi Kids performing during the World Peace Day 2023 celebrations in Lamwo. Photo: LWF/ Victor Wahome

Young people transform a refugee settlement

(LWI) - Sometimes, peace is only a few (dance) steps away: In Uganda and South Sudan, a cross-border project promotes peace through art and drama – and a traditional dance of the Acholi, a community native to both sides of the border.

Limited resources, frequent conflicts

Like many refugee settlements, Palabek in Lamwo district, northern Uganda, is a place of scarce resources and crowded living conditions. A perfect recipe for tension and conflict, which divided communities and families, recalls Okenyi Martin, a respected church leader in the settlement: "Women fought over water at the water points, while disputes over food and land were common occurrences. Even a child going to someone else's compound to play would bring about conflict with another family," Martin says.

Message of reconciliation

Rooted in the rich traditions of Acholi culture from South Sudan and Uganda, the group's performances have breathed life into ancient rhythms, uniting families and tribes in celebration. With each step and beat, the young people transcend sorrow, their smiles radiating peace and love.

"When you are dancing, you cannot be sad. Your teeth must be out as you smile, and that alone is a sign of peace and love," Tonny Okema, a passionate member of the group, said. When we start performing, people gather from different zones to come and watch us," added Patricia.

When you are dancing you cannot be sad, your teeth have to be out as you smile, and that alone is a sign of peace and love.

Tonny OKEMA, Acholi Kids Group

COMPASS is a cross-border project implemented both in Uganda and South Sudan with co-funding from Bread for the World and the European Union through the UNOPS Lives in Dignity Grant Facility.

LWF/S. Namatovu, C. Kästner-Meyer
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